After a brief and weirdly intense game of will they / won’t they, it looks like Matt Reeves will direct The Batman for Warner Bros. and Ben Affleck. Following reports late last week that negotiations had broken down between the Planet of the Apes director and the studio comes a reversal, as Reeves has officially signed on to helm the upcoming solo Bat-project, which was previously intended as a directing vehicle for Affleck himself.
Just as dozens of new titles are being added to the Netflix Instant library each month, so must several others disappear. As you get ready for all the great new films and TV shows arriving in March, now would be a good time to make some room in your queue — starting with all the titles that are expiring from the streaming service next month, including favorites like Jaws and a pair of DC’s animated Justice League films.
Start marking your calendars now (and apologize to your loved ones in advance for your lack of interaction) because Netflix is looking pretty stacked in March. In addition to the usual assortment of recent releases, old favorites and contemporary classics, next month brings premieres of new Netflix Original series like Love Season 2, Grace and Frankie Season 3, and — last but far from least — the latest addition to Marvel’s Defenders lineup.
This year’s Star Wars Celebration will take place in Orlando (good news for those of you who couldn’t make it across the pond last year), and as it’s the 40th anniversary of the iconic franchise, you can expect some pretty major things. While we wait to learn more about Lucasfilm’s plans for the 2017 convention, the studio has unveiled a beautiful new poster along with a few details regarding the first panel of the year.
It’s that time again — Amazon has unveiled the latest additions hitting the Prime Instant Video service in March, including recent favorites like Everybody Wants Some!! (do they? They do) and What We Do in the Shadows. Next month also brings the premieres of Amazon Original films The Dressmaker and Gimme Danger, along with new seasons of Hand of God and Orphan Black.
Every year, USC and Geena Davis’ Institute on Gender in Media (among others) release the findings of their studies on gender and minority representation in front of and behind the cameras in Hollywood — the results are inevitably bleak, showing little to no actual improvement. There are small changes (2016 had more women in protagonist film roles than ever), but the negative statistics (last year also had fewer speaking roles for women) often outweigh the good, and Hollywood’s gender imbalance is as prevalent as it ever was. How can we effect actual, meaningful change? Enter 52 influential industry executives, all of whom have combined forces to create a new campaign called ReFrame, which offers various tools and initiatives to combat gender inequality — actively.
When you go see Logan on March 3, you might want to keep your butt firmly planted in the theater seat after the credits roll, bub. In what is hardly surprising news at all, there is post-credits scene attached to Wolverine’s latest (and last) outing, and though we don’t know what it is just yet, it probably won’t be long before someone lets the cat out of the bag. Until then, feel free to speculate away.
Although pre-production on Phil Lord and Chris Miller’s young Han Solo spinoff has been underway for some time now (operating under the clever codename “Red Cup”), today marks the full, official start of production. To celebrate, Lucasfilm has debuted the first photo of the cast and their directors, crammed together inside the cockpit of the Millennium Falcon as if posing for a very cheerful (if a bit tardy) holiday greeting card.
Somewhere, a Tumblr user’s brain is melting because their mash-up art just came to life and now they’re wondering what to do next with such great artistic responsibility (hint: look toward the White House). Two beloved pop culture entities have converged, and yet neither the internet nor the time-space continuum has imploded; instead, we are treated with a rather charming photo.
If Colossal isn’t on your radar, it should be. The new film from Nacho Vigalondo (Timecrimes, Open Windows) is his best yet — and the first full trailer hardly does it justice. Featuring an absolutely phenomenal performance from Anne Hathaway, Colossal offers a hilarious, thoughtful and strangely poignant twist on the classic kaiju movie, and is easily one of the most surprising films of 2017.
The first trailer for The House is about what you’d expect based on the plot description: Amy Poehler and Will Ferrell need to raise money to send their kid to college, so they start an illegal casino / underground fight club in their basement, various hijinks ensue, etc. It looks pleasant enough, and the combo of Poehler and Ferrell (with a handful of other funny people) should make for a solid comedy — though this one looks a bit safe, which is surprising considering that The House comes from the minds behind Neighbors.
And now for something a little different from the Logan marketing department: Amid the usual glut of TV spots and featurettes comes this unnerving found footage-style promotional video, which offers a look inside the creation of X-23 — aka the young female clone of Hugh Jackman’s Wolverine. It’s an intriguing change of pace from the typical ads, that’s for sure.
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