Matthew Monagle

It feels like we’ve been watching the same six or seven movies shift places on the charts for weeks now, which makes what happened this weekend such a breath of fresh air. With four new releases all cracking the charts, we’ve at least got a little bit of variety in the titles we’ll be discussing, and no The Emoji Movie near the list. I’ll put that down as a win in my book any day of the week. Here’s the estimated box office grosses as of Sunday afternoon:

We’re only months away from Star Wars: The Last Jedi, and already, it’s beginning to feel like a film that will be unbearably sad for all the wrong reasons. The loss of Carrie Fisher will be made fresh by her appearance in the upcoming film, and seeing her alongside Mark Hamill for the last time  —  one assumes, anyways  —  will be a touching moment for any fans of the Star Wars franchise. No less touching will be the opportunity for Fisher’s daughter Billie Lourd to share the screen with her one last time. All in all, The Last Jedi will be the ultimate Star Wars family reunion, biological and otherwise.

Well, that’s kinda awkward timing. On Thursday of last week, the New York Times published an article titled “Attacked by Rotten Tomatoes,” an in-depth look at the popular review aggregation site and the role it may have played in this summer’s disappointing box office numbers. The article ends with a prolonged examination of the various ways that studios are trying to “battle Rotten Tomatoes on multiple fronts,” seemingly accepting the idea that Rotten Tomatoes has been bad for the movie industry (despite the fact that Rotten Tomatoes is, in fact, owned by said members of the movie industry). The article may have been an interesting read for those unfamiliar with the controversy, but for those in the know, it was old news, part of an ongoing debate that tried to argue that critics were duping poor, easily misled moviegoers.

Oh, Christian Grey and Anastasia Steele. When are those two crazy kids ever going to get together? There’s is a love story we can all relate to: she, the inexperienced college student and would-be journalist, and he, the millionaire Seattle playboy, willing to teach her in the practice of love. Would their shared appreciation for BDSM be enough to overcome their differences and help them find true love? I don’t know for sure, but based on this first teaser trailer for Fifty Shades Freed, I’m going to venture that the answer to that question is yes.

As we head deeper into September, two things have become pretty clear about 2017 box office numbers: one, Hollywood desperately needs to bounce back a little bit from the doldrums of August, and two, whoever decided to hedge their studio’s bets with a September release date for a movie about a killer clown is looking like a [profanity] genius right about now. We’ll get to all of that in a moment, but first, here are the box office numbers as of Sunday afternoon:

As all eyes turn to the Toronto International Film Festival this weekend, it’s worth remembering that another major film festival is still wrapping up. That would be the 74th Annual Venice Film Festival, the oldest major film festival and home to several of this year’s most enticing fall movies. Whether you prefer your movies to have dark humor, biting social commentary, or underwater monsters, odds are good there was something for everyone in Italy these past week or so.

It isn’t very often that a documentary becomes a hit with mainstream audiences, but that’s exactly what happened with Morgan Spurlock’s Super Size Me back in 2004. The documentary followed Spurlock on a month-long experiment in unhealthy diets, with the filmmaker eating exclusively at McDonald’s for weeks on end. The result was a smash hit: Super-Size Me grossed $11.9 million dollars  —  good for 25th all-time among documentaries  —  and even garnered an Academy Award nomination. More than that, though, is the effect the film had on the fast food industry, with publications like Refinery29 saying years later that Spurlock’s film likely helped companies “increase consumer awareness of size, as well as ingredients and nutrition.”

While there are probably those who would describe Daniel Radcliffe as an actor who has never amounted to much after the Harry Potter franchise, I’ve found his decisions over the past few years to be breathtakingly daring, a risky collection of screw-you titles that could only come from a place of supreme financial security. From Horns to Swiss Army Man and everything in between, Radcliffe has proven himself a gifted performer with a voracious appetite for genre films, becoming something relatively unique in the horror genre: an A-list actor with B-list tastes.

Today the world of comedy lost one of its brightest stars. Jerry Lewis was no stranger to controversy during his decades-long career, but his impact on both Hollywood and comedy in general cannot be denied. From his early days as Dean Martin’s partner-in-crime to his career-capping turn in Martin Scorsese’s The King of Comedy  —  and countless box office success in the interim  —  Lewis’s impact on Hollywood will be a source of much discussion for years to come.

Leonardo DiCaprio has made a career out of playing historical individuals who were too smart for their own good. From Catch Me If You Can to The Aviator to J. Edgar to The Wolf of Wall Street, DiCaprio’s niche is to play fiercely intelligent men whose vision often exceeded their grasp. So who better to play someone as notoriously ahead of his time  —  and just as notoriously impatient when it came to finishing projects  —  as Leonardo da Vinci? The world-renowned painter, architect, and inventor will apparently be the subject of an upcoming biography, one that DiCaprio’s production company quickly snapped up before it even hit bookshelves.

Given the film’s box office success and surprising - albeit extremely preliminary - Oscar buzz, it’s probably fair to declare 2017 as the year of Wonder Woman. And all this Wonder Woman excitement has fans asking: after we see the character again in this fall’s Justice League, what’s next for the star of the DCEU? Will she jump forward to the modern world in Wonder Woman 2? Will we continue to see her adventures unfold throughout the 1900s? Or will Warner Bros. do something really wacky with her character, like, I dunno, make her the villain of another DCEU movie?

While Colossal may not have broken box office records, it was a welcome reminder that Anne Hathaway deserved better than whatever rom-com hell we’d locked her in for the past few years. In fact, as Lauren Duca recently pointed out on Twitter, now would be a perfect time revisit our opinions of the actress altogether, dating all the way back to her breakout role in The Princess Diaries. I mean, it can’t be a coincidence that now that we’re learning to appreciate Hathaway again, we’re suddenly getting talk of another Princess Diaries movie. These strange things happen all the time.